Amy Poe

Coordinator

The Dallas Opera — Dallas, TX

• Responsible for planning and execution of 100+ character productions.
• Manage productions for large, Tier 1 regional operas.
• Coordinate efforts of IATSE crew and craftspeople for staged operas and touring productions.

Art Director & Wardrobe Head

Merit Street Media — Fort Worth, TX

• Built and decorated sets for special broadcast segments.
• Designed and coordinated visuals for marketing spots.
• Served as Head of Wardrobe for The Dr. Phil Primetime Show, managing all on-camera wardrobe for show guests, contributors and on-air talent.
• Coordinated fittings, sourced and pulled wardrobe options, and ensured every guest was camera-ready and on-brand before taping.
• Maintained wardrobe continuity across multi-day shoots and managed inventory and wardrobe budgets across the network.

Production Designer — Film, TV & Commercials

Freelance — Dallas, TX

• Designed sets for commercial shoots with brand-aligned visual consistency.
• Managed budgets and resources to meet deadlines within constraints.
• Applied current materials and trends to create striking design elements.

Scenic Design

• Detroit '67 — Jubilee Theatre (dir. Jiles King), 2017
• In the Blood — SMU / Margot Jones (dir. Rhonda Blair), 2017
• Blues in the Night — Jubilee Theatre (dir. Michael Serrecchia), 2018
• Bethany — SMU (dir. Caroline Hamilton), 2018
• Split Second — Jubilee Theatre (dir. Benard Cummings), 2019
• The Last Days of Judas Iscariot — SMU / Margot Jones (dir. Marcus Pinon), 2017
• Harlem Renaissance “Deco Arch” — African American Museum (dir. Jiles King), 2018
• 1776 — SMU, 2019

Lighting Design

• Our Town — Circle Theatre (dir. Matthew Gray), 2019
• Émilie La Marquise Du Châtelet — Texas Woman’s University (dir. Patrick Bynane), 2019
• Cabaret — Texas Woman’s University (dir. Noah Lelek), 2019
• How I Learned to Drive — SMU (dir. Diego Martinez), 2019
• MONÆ — concert / live event lighting